Trolls, critics and doubters

I know that I should update with an original post, but I would suggest you hang onto this handy tip from Seth Godin in the meantime.

Lots of things about work are hard. Dealing with trolls is one of them. Trolls are critics who gain perverse pleasure in relentlessly tearing you and your ideas down. Here's the thing(s):

1. trolls will always be trolling 2. critics rarely create 3. they live in a tiny echo chamber, ignored by everyone except the trolled and the other trolls 4. professionals (that's you) get paid to ignore them. It's part of your job.

"Can't please everyone," isn't just an aphorism, it's the secret of being remarkable.

Amen!  Original post is here.

Taking the initiative: The best thing you could POSSIBLY do

The new school year began on August 24 and now everything’s getting back into shape for what I would consider my “normal schedule”.  At the University of Houston there are two jazz bands: the Jazz Orchestra and the Jazz Ensemble.  I rehearse the latter (also known as the “second”) band twice a week.  A couple years ago, I started a Google Group for each band in hopes of making communications easier and to share music (NOT for illegal downloading!) as listening examples.  The following email showed up on the message board from a student:

Looking to get together with fellow students to work on tunes and general playing/reading/improvising. I'm booked solid Tuesdays and Thursdays unti 2:30. Mondays, Wednesdays and Fridays I'm free after 11:00 a.m. Please don't wait until rehearsals to practice your parts.  I've been in too many bands and ensembles that waste time learning parts during valuable rehearsal time. We can make it fun and a valuable learning experience.

To which I replied:

Everyone,

This is great to hear!  Whether it's working on the ensemble's music or combo tunes and improvising, the outside practice and self-rehearsing will help your overall musicality in bounds.  My advice?  Take advantage of your time and situation while you're in school to put yourself in as many different musical situations as possible NOW.  Don't put it off, because you'll never get this time back (and you'll probably continue to put it off), it's important to practice as much as possible now when you have the luxury to do so.  It's important because you need to test your limits as a musician and then try to break through those limitations.

If anyone is interested in rehearsing combo tunes and improv, I'd suggest talking to some of the students in the Jazz Orchestra about this, since they're always looking to learn new material.  That group meets from 12-2pm MWF in room 175.  Also, if you haven't already done so, please go check out some local jam sessions around Houston.

Here's a short list:

Monday: Straight-No-Chaser Jazz Ensemble and Jazz Jam @ Smitty's Cafe and Bar Tuesday: King Biscuit Jazz Jam @ King Biscuit Patio Cafe Wednesday: Latin Jazz Jam @ Smitty's Cafe and Bar Thursday: Mike Owen Jazz Jam! @ Legends Jazz Cafe More info can be found at http://www.jazzhouston.com

Don't worry about showing up to play if you're new to this, but as a musician, you should definitely see what these are all about.  Then, maybe you can work up a small repertoire of tunes to play within a month or two.  It's just as important as going to see the symphony or opera!

Since then, a great deal of communication has been taking place on the group, planning for after-school jamming and rehearsing.

So what’s the point of all this?  I constantly stress to students (both new and senior) that they can’t sit around waiting for "it" to happen.  The "it" can be the gig you've been hoping for, or just simply progressing in your playing level.  We're not guaranteed anything in life, and the phone just isn't going to magically ring for work.  One popular saying is that "a good jazz musician is never at home alone every night of the week".  What this means is that hungry, motivated people are always out there seeing and hearing new things as well as meeting new people.  In the music world, this is especially true.  A quality musician is aware of what is going on in their world and yearns to interact with people on the bandstand.  Because a good percentage of this business requires a great deal of social networking, it is critical that you get out there and be seen, heard and liked!

We all cannot afford to waste any more time just simply hoping that "it" will happen for us.  Motivated students in turn motivate me to be a better teacher, player and person.